Cora

Part of my commitment to my regiment's 150th celebration was to create and donate a painting to each mess. This one below is Cora and, of course, it goes to the Jr Rank's mess. The idea behind this was to create a modern bomber girl in the style of Vargas. I picked model Cora Deitz because she has that timeless look to her.

I'm also adding the video of me creating the piece. As you can imagine it took me a while..

For a Friend

Not a lot to say except I miss Maj Louis Beglaw ever time I step foot in my armouries. A great guy with a big smile and a very capable hand at leadership. We don't replace people like this, we just miss them.

And Not to Yield

Painting for your own family is always tricky. On one hand you really want to make them proud and on the flip side you're a bit worried you're going to give them too much insight into what you're really like. Painting for you regiment is the same way. You spend a great deal of time creating and maintaining a persona and the last thing you want to do is have people looking at your painting, pausing and then looking at you with bewilderment. Now to be clear, I don't have either of these issues with my family or regiment. They all think I'm a bit odd and I'm pretty sure I couldn't surprise then short of running around naked and barking.... no wait, they've seen that to.

I committed to do a painting for each of the messes in my regiment as part of it's 150th anniversary. This painting below is for the Senior NCO's Mess and is a mix of collage, acrylic and found objects. As I was painting and assembling it, I had a very clear picture of what I was trying to accomplish and after putting it up on the wall in the mess, I was pretty happy with the finished results. And even though I can't surprise anybody in either of my families any more, they can surprise me. Each person's interpretation is slightly different and yet they're all pretty much on point with the over-all theme. And in some cases, they've seen even more than I intended which is a great sign that the piece works and the people looking at it understand the subject matter better than I do. In short, everybody seemed to get it. Or they're just being nice to me, which is also something that families do.

"And Not to Yield" 2013

More Painting on Digital

Nothing to post but some recent work.

"Old Road" 1

Self Portrait

"Village Elder" 1

Old dog, new tricks

I'm not old enough to be set in my ways but I am looking forward to a time in my not-to-distant-future when I'll become grumpy and say things like "back in my day...". Until then I'm open to new ideas and new methods of painting. A photographer friend of mine, Carlos Taylhardat is the Chief Head Shooter at ArtofHeadshots.com and he's been pushing me to try painting on digital prints. This week I caved and had some prints put on to a heavy, cold-pressed water color paper, devoid of color. To this I add watercolors and texture with pen. The end result is a hyper-real watercolor/illustration. I'm going to try a couple of these as it takes a bit of getting use to.

Pt John Howard based on photo by Louie Palu

I'm still not sure if I like it. I'm a bit of a traditionalist and this always got me into trouble at Emily Carr. There it was clear that process was a means to an end and its the end results that matter. Process and technique are the very systems of making art but that process should not hinder your ability to create. It should in fact expand it! It wasn't the idea of trying a new painting processes that bothered me as much as the idea of painting onto an existing photograph. Seems like cheating, which has nothing to do with art, because art in itself is all about coping, interpreting, adjusting and mimicking. I think this has roots back with my grade-school teach who, after I turned in a drawing for a project, taped it to the chalk-board with a big 'F' on it as a warning to other students who 'traced' their subject matter. Truth is I free-handed Mr Donald Duck but that big red 'F' left an impression on me: don't trace or photocopy because its cheating. I know this is ridiculous but I can't begin to count the number of times after that incident fellow students asked me if I traced the art work I was working on.

As with all things in life, the finished work has to stand on its own merits. Now where is my tracing paper...

Roughing it out

I was asked today where I get my motivation and time to draw and paint. Honestly, I don't have a lot of time but more importantly, I don't have a lot of time. As busy as I am with work, business travel, family ect, I have very little time left to complete my paintings in preparation for my show this fall.

Ideas I have. In droves and if anything, my paintings and sketches are all over the place. Large realistic landscapes, small rough watercolors, massive still lifes and all over the map in style and execution. Paper, board, canvas and I'm even working on a sculpture. This is going to be one of the most dysfunctional art displays seen in this city (which is saying something from the place that brought you mouse-murder and poo-painting). That said, the theme I'm presenting is true to the original vision. The style will come later (maybe much later).

This piece I'm planning now is pretty big and will be on boards (no panel). The figure will be roughly sketched and casting shadows. I think it will look pretty cool but I doubt anybody will want to hang it in a mess (or over their mantle). One more for the basement after the show.

Pinup/Bomber Girls

I've been working on an idea for a while that would re-create the 40's, war-era pinup girl. These were popular with the soldiers and found their way onto bombers, posters and tattoos. They are iconic and classic. My take on this will be a modernized version of those beautiful, voluptuousness ladies. I want to capture the style and classiness but make it more relevant to today's military. The women I see modeling for this have that classic, even retro look but might also carry some more modern amendments (EG tattoos and piercings). The Suicide Girls would be the easiest way to explain I'm looking for.

And when it comes to an audience for this painting, I can't help but think of the Ranks (Junior Ranks Club). I need to have a painting to donate to the club (and still need a patron for this one) so it would seem to be a good fit.

Finding beautiful women to model for the painting was pretty straight forward thanks to social networking (thanks everybody). I have some very talented candidates and even though my go-to photographer has moved off, his friend Carlos from the Art of Headshots has offered his services. Now I just need to source out some kit for the ladies to wear and set up the shoot.

Note that I haven't actually asked the Ranks if they would want this painting but the subject is a scantily clad model so I'm pretty sure they'll like it fine. Come to think if it, I'd better double varnish it before giving it to them...