Thank you KickStarter and Goodbye Cpl Pennock

Our project to raise funds via KickStarter came to a close last night and I'm very happy to say we've raised almost $5k! Our project still requires some additional funding but we're well on our way to reaching the overall goal of $9k.

KickStarter has been a great experience and I highly recommend it for anybody wanting to fund an artistic endeavor. I will note however that it was not KickStarter that raised the money: it was networking. Of all the funds that have come in, 90% was via my Facebook network. These are friend, family and former soldiers who I've kept in contact with on FB. KickStarter therefore is a great tool for centralizing the raising of funds but ultimately, its your own network of friends and colleagues who backs you. This seems to be true in all things in life.

As I continue to work on this project that network shrank this week. Cpl. Jeff Pennock of the Royal Westminster Regiment passed away on Dec 20, 2010. Jeff had been battling with cancer for the last couple years and yesterday he stood down. I have very fond memories of Jeff as the clerk in the Battalion Orderly Room at the regiment. A more dedicated soldier would be hard to name. In an infantry unit such as ours, there is a lot of emphasis put on strength, aggression and violence of action. Its a fighting regiment so this makes sense. Jeff was quiet, gentle and kind and our regiment would have ground to a halt without his effort. Jeff was guy who kept everybody's paperwork moving and had the thankless job of managing the admin for the regiment. Jeff was also a father and a husband. Our loss at the regiment is meager in comparison to grief felt by his family.

~CBH

Making Progress

Its great to see progress in a project. Sometimes that progress comes in the way of milestones and other times via material support. The last week the Royal City Record ran a story about my Painting to Afghanistan project here. I really have to thank Andrew Fleming from the Record for taking the time and interest in my project. It was great to get some publicity and it really created some new opportunities for raising funds for the project.

I also have to recognize everybody who has made a contribution on my KickStarter account. Here again, my friends and colleagues have outdone themselves. This project is not funded by big business, government or even really by any one organization. Almost all the financial backing has come from current or ex-military. I can't begin to tell you how humbling it is to have a young MCpl donate $500 to this project. Well, maybe I guess it is understandable: this project is about documenting their legacy, their effort and sacrifice. They are the ones that will hopefully benefit from this project so I guess its fitting that they take ownership of it as backers. This way they can say this really is their project.

There is more press coverage coming and more announcements about the project over the next couple weeks. The holiday season is also fast approaching which means I'll soon have more time to finish the current large piece. For now, I'm going to post a small painting I did for a very supportive sister. Nothing to do with the project, but right now I need all the practice (and support) I can get.

Painting to Afghanistan

I've just launched a fundraising program through KickStarter. If you're not familar with KickStarter, its a service set up for artists to raise money for their projects. Its funded some really great ideas and I'm using it to raise money to complete my project on the Reserves at war.

As you can tell from my previous posts, I rely heavily on friends who come back home from overseas duty and share with me their stories and photos. This is the content I use to create my paintings and without it I'm really at a loss. As much as I've been able to use some of these to get me started, what I really need is first hand experience in country: I need to capture (via film) the subjects and create enough material to then finish my painting series. The money raised by KickStarter will be used to transport me to Afghanistan, secure equipment and the documentation gear needed to fulfill the project.

The really great (and viral) part about KickStarter is that it encourages the artist to share their art with the people who back them. I'm doing the same. No matter what you donate, you get something from the show. Smaller donations receive really cool luggage stickers based on one of my finished pieces and larger ones receive original art right up to the largest 22"x44" fined paintings (1 of 10).



Please back me if you can, and if not, please post this share this link on your own sites: http://www.kickstarter.com/projects/hennebery/painting-to-afghanistan

Here is a quick video explaining the project

Road Move... small

Part of the process of developing a large piece has to start with rough sketches and preliminary paintings. Some of these 'preliminary' works can be really quick sketches and some turn into 10 hour paintings. "Road Move" was suppose to be the former, but turned into the latter.



This painting covers Andrew Richards again (sorry, he's the one to give me most of my photo content from Afghanistan. Note to my friends, send me some photos and I'll hopefully find something I can use?) The painting will be turned into a large 42"x22" painting on board but for now, the one above is a modest 4"x6". After completing this, I'm excited (and more confident) about doing the larger piece.

I'll also be announcing something on Wed this week about the project and how its going to progress. I'll require a great deal of help from friends (and friends of friends) to see this project through to its conclusions. Thanks for the support.

Going Away: Part 2

Starting is aways the hardest part of painting. Its easy to build the canvas or board and its pretty simple to prime and sand. Whats hard is putting that first bit of paint on the board. Not sure why that is but I find I have to force myself to get started, regardless as to mood. Once you do get started, you can see the painting start to take shape really quickly. This painting is a portrait of suitcases. Its kind of fun because each piece of luggage ends up being its own little finished painting. Each one is very unique and specific to its era or function and each one has its own little story. More so when I add the luggage stickers previously mentioned.


I've decided to do some time-lapse video on this one: to show how it begins and ends. It took me about 6 hrs to complete this small piece of the painting and I've compressed this down to about 3.5 minutes of video. Even with the video is sped up, I still had to cut a big whack out to get it that short. I hope you enjoy the music I put to it. Its not wholly relevant (Newfoundlanders) but it still a favorite (and the cadence is right ;).

C. Hennebery

Going Away: Part 1

So I've begun work on my next project. Its focus is on the family and the process of leaving for a tour. I talk to my friend and in some cases I've even helped them get ready to leave. Instructions on the 'what ifs' and if anything goes pear-shaped, what they'd like to see happen. Solemn moments to be sure but nothing compared to the stress and anxiety the family feels.

The project is titled "Going Away" and the plan is to show old luggage with old style luggage tags. The luggage tags themselves will be updated to the relevant location but stay true to the theme. The challenge with this project is a.) incorporate the overall vision of the subject and b.) keep it with the prescribed 42"x22" board. The luggage itself is pretty mundane. It will look old and well used. But other than that, they will be without notice. Its the luggage stickers and tags that will tell the story.

I've always found luggage stickers interesting for that very reason: they speak of who we are and where we've been (or not been by omission). When the luggage is plastered with these stickers it reminds us of an era when travel (and maybe war?) was romantic. Now its fast, complicated and very, very unromantic. The tags I'm designing are based on antique tags and all I'm doing is updating the content with new locations, modes of transport ect. They'll still tell a story but behind the bygone design, I doubt there will be any romantic notions.

And yet, many of my friends had romantic notions about Afghanistan before they left. They've said as much. Not about the realities of war. Many of them were very familiar with these things. But even when I talk to them now they speak of their experience with a sense of adventure, of danger to be sure and of wonder. And many speak of it with jaded feelings. It doesn't seem to be uncommon for the feelings to be all over the map. The wear and tear might even take on the same characteristics of the luggage they haul with them as they travel to and fro.

I wish we still used the luggage stickers...

Starting Small

All my bigger projects start out small. I usually do a couple thumb-nails and/or smallish watercolors of the subject before committing to the larger piece. Its a great way to figure out how I'll build it, what I'll use and how everything will come together. Its not to say that its all so planned that there is no spontaneity. Just the opposite. I find that by doing the smaller pieces I am able to better organize my intent and that when I start on the larger piece, I'm more focused and open to 'playing in the paint' or experimenting now that I have direction. The direction or intent is the focal point and the methodology is just a means to that end. That 'means' is pretty bloody important and its where I normally succeed when my intent fails. That is very frustrating for me. I've heard many times that where my subject might fail, the skill at applying the paint is very successful. Or 'pretty painting, ugly subject'. To that end, I struggle to simplify my intent, to give it clear purpose without pretense and without the preaching. The applying of paint to the board is the easiest part.

Most of my smaller pieces are committed to my travel sketchbooks. These are the standard Moleskine art books and I find they do quite well. I take these with me wherever I go and I aways take the time to find something to paint. Its with these I intend to document my eventual trip to Afghanistan and with these sketchbooks and a camera, I plan to build up enough of a subject base to furnish the larger projects.